致敬
早前看了一個節目,關於一個麵包師傅兼老板與他的菠蘿包.他每日只睡三個鐘,心中老記掛著早上等吃麵包的顧客.
周日在籣芳園喝著奶茶.吃著西多,深深感激這班默默支撐著本土飲食文化的人,好讓我每次外遊回來,吃著熟識食物,有回家的感覺.
早前看了一個節目,關於一個麵包師傅兼老板與他的菠蘿包.他每日只睡三個鐘,心中老記掛著早上等吃麵包的顧客.
周日在籣芳園喝著奶茶.吃著西多,深深感激這班默默支撐著本土飲食文化的人,好讓我每次外遊回來,吃著熟識食物,有回家的感覺.
Elizabeth- the golden Age , a declaration of new woman: I am who I am
蝴蝶飛 I like its english title 'Linger' , not a typical love movie, it is more like searching for a proof of love, boyfriend & girlfriend; father & son;
為寫稿交貨,我買了《信仰臨界》一書,作者古斌在基督教界迅速冒起.於是我閱讀,因為想了解誰會是他的讀者.
初步推斷,他的讀者多會是在教會附近遊走尋尋覓覓的一群,古斌的文字令這班建制以外邊緣的人找到安身立命之所,令想癲覆的人在想像中(也是一種虛擬)再次相信臨界的力量,可以擁抱"可能",甚至相信有—天成為一顆稀有又光芒萬象的鑽石,而不是只有孤獨的呼喊.
臨界勾起的力量見於漫畫式/武俠式臨界力量,如日本動漫,hero主角.如蜘蛛俠,臨界是末世悶局僅餘的想像和希望.
古的文字看得人血脈沸騰,儼如看武俠小說,招招精采,但不是毫無破綻.照單全收是思考的敵人,"carry away'時,情緒最會作怪.看他的文章,要提起精神.
古斌,在我來看,像個文化說書人,流麗地寫出”coherent rhetoric”他以文字呼喚形像,用形像刺激想像,以想像勾劃信仰,以信仰帶回希望,希望是人堅持下去的理由.一個自以為不需要希望的年代,其實最需要希望.
In Metro (the bookstore in elements), I read two books.
1. Nigella Lawson
She is a very attractive 'cook'. She teaches people to cook and 'seduces' you with good food. 'Passion' concludes my impression of her. Mrs. Chu told me that her cookbook won her a book prize. So I read. Her cookbook is not a book compiling of receipes. She is like talking to old friends sharing her cooking experiences. She did not hid herself. She only shares with people what she likes. 'I' is the word that she constantly uses. completely subjective view of cooking. She is in the centre of the stage, together with her food.
2. Forms with fantasy-published by Page One
This trend is everywhere, the baroque, neo baroque, mystic, the reincarnation of the old is everwhere if you know what I mean by the untraditonal christmas trees that have been sold during christmas time at citysuper. (www.tordboontje.com). Fancy, fantasy decorative elements are gradually replacing the cool, chic, minimal modern form.
Modern men are too bored. Technological advances fools us thinking that miracles and breakthoughs are not more than ordinary and we simply taken them for granted. Consumers are not easy to be amazed but always desire sth that is extraoridnary. So sth that has been less seen in the last decades revive because of the longing for something unusal.
The glamour, the Theatrical, the Bling bling are there on stage. Some people called is new(no)stagia. A new form that combines nostalgia & technology & innovation. Technology enables us to reproduce and overcomes the difficulties of handicrafts. Cloning becomes a routine. The stage with not just lighting but projection and all sorts of effects is prepared for eveyone. We could re-create fantasy and materialise fantasy. Display becomes the key of life.
However, there is a danger of making nostalgia a commodity for consumption. We are not so much like collectors who collect things with history. Instead, we buy things and reconstruct the commodity's history. This history is being priviatised. We, as human being, may and may not in future share history even if we live in the same zone.
Some people would rather live in self owned fantasy or virtual fantasy (on line world). They believe that is the safe place in compared with the world they live in, which has been peceived as full of dangers and uncertainties.
The Fantasy Land we need today is not for the mass but for private. I wonder, will people become more and more lonely despite that they have neo baroque decorative boutique like apartment or so called house/home. I am not against this trend and I do appreciate the aesthetic side and the creativity behind. You will easily find those decorative goods in my house. I frequently visit Homeless funiture store and cannot help myself appreciate those designs. All I am trying to say is... we have to have awareness as always.
Last Sunday I attended a music performance with yannie by SAR Philharmonic Orchestra.
One particular piece of music was so good, that it seemed to have taken me to a garden. I opened the program and found that the piece is called En los jardines de la Sierra de Cordoba (in the Gardens of the Sierra de Cordoba)
http://en.wikipedia.org/wiki/Noches_en_los_Jardines_de_Espa%C3%B1a
炒米.炒烏冬.炒伊面.炒米線.炒公仔面.會意粉.湯鳥冬.湯粉面.湯米線
配火腿.叉燒.牛腩.雞翼.雪菜肉絲.紅腸.全個餐牌寫滿字,但萬變不離其中.
像這樣:
叉燒炒米
火腿炒米
牛腩炒米
雞翼炒米
叉燒湯米線
火腿湯米線
牛腩湯米線
雞翼湯米線
1.入境時,排隊混亂,幾個不同國籍男子打尖,目標是我們兩個中國女子及一大班來自斯里蘭卡大學舞蹈團.我們問那些男子,為何忽然站在我們旁邊,他們竟說自己也在排隊,但觀乎他們排出來的線,竟偏離直線3O度角.君子理論不成,惟有沈著氣應戰,其中有一天生打尖人見開了新櫃位,跟友轉線,被海關姐姐喝令離開,還厚顏無恥折返繼續尖隊,後來我和Nico1e被海關姐姐派到另一櫃位,唯有以加油動作鼓勵斯里蘭卡一班姊姊妹,我只知他們後來敵不過北歐後生仔,能否勝打尖人呢?我們就沒有機會看到.
2.按摩替身
這裡是先付錢,才按摩,再被帶到泰式床位.我和Nicole只隔一布幔.當我聽到按摩師在隔壁搖著油樽,我知道搞錯了,因我選油按,Nico1e選泰式,這樣掉換了,簡直笑死,但又要忍住笑,怕打擾其他人.於是我地快手快腳交換"房間",哈哈,專業按摩,但不專業的安排.
3.泰多人老點
為找一間隱世咖啡室,我們在沙塵滾滾的街來來回回,還遇上在馬路上行走向人索錢的大象隊,更向7個人以上問路,偏偏各指不同方向,個個態度誠懇,更有人叫我們坐的士,因路途很遠,還曾誤闖民居.結果也找不到,回香港,上網一查,網頁不再存在,怕已關門大吉了.
My Singaporean friend bought me Kaya from Bakery. Immigration did not allow me carrying it to cabin. They said only special packaging of kaya was allowed. So I asked them to return one to me and let me try outside the room. I drank two mouthful and handed in the rest. What a waste!
So when you buy kaya in singapore(if not from supermarket), pls ask them how to pack.